Ancient Greece Art
Statue of Aphrodite, British Museum London - 360 Degree View.

Minoan Art

Sculpture and Art in Ancient Greece

Greek art and sculpture has had a profound effect throughout the ages. Many of the styles have been reproduced and copied by some of what the modern day audiences would class as some of the finest artists to have ever lived e.g. Michelangelo. Western art and sculpture derived from Roman art, while in the East, Alexander the Great's conquest gave birth to Greco-Buddhist art, which has even had an influence as far as Japan all of which stem from ancient Greek art. The Greeks used many different types of materials in their sculptures including stone, marble and limestone as these were abundant in Greece. Other materials such as clay were also used but due to their brittle nature very few have survived. Greek sculptures are very important as the vast majority of them tell us a story about Gods, Heroes, Events, Mythical Creatures and Greek culture in general. Many of the statues that have survived are actually of Roman origin. Like many people today the Romans had a deep respect for Greek sculptures and many were copied. If the Romans had not made these copies, many of the Greek Legends and stories that we know today would have been lost to antiquity. Greek sculptures are mainly divided into 7 time periods - Mycenaean Art, Sub-Mycenaean or Dark Age, Proto-Geometric, Geometric Art, Archaic, Classical and Hellenistic.

Mycenaean art is the first era in which we find surviving examples of Greek art. This era dates from around 1550 BC to 1200 BC on the Greek mainland. During this period there were two separate civilisations living on the mainland, the Greeks and the Mycenaeans. The Greeks at the time learnt a lot from the Mycenaeans, who where more technologically advanced. The Greeks learnt how to build gates and tombs (such as Agamemnon's tomb in the 'Bee-hive') and how to use different metals in art, using Mycenaean techniques. The famous Cyclopean Wall of Mycenae before the lion gate is a good example of their masonry skills. The Mycenaeans were also fantastic goldsmiths which can be seen from finds such as 'Agamemnon's Death Mask' found in a grave dating back to the 16th Century. Other items such as ivory figures (the head of a warrior with boars' tuck helmet) and a Rock Crystal 'sauceboat' dating between the 16th and 13th Century show they could craft out of other materials as well.

Around 1200 BC, attributed to the Homeric Fall of Troy, seems to be the down fall of Mycenaean art, this time period being known as the Sub-Mycenaean or the Dark Ages. This time period lasted from around 1100 to 1025 BC and very few examples of statutes or art have been found. The few items that have been found show no new methods or innovation. This is probably due to the constant wars and invasions which crippled the growth of their civilisation during that time.

The next phase (ca. 1025 - 900 BC) is known as the Proto-Geometric art era. We begin to find pottery starting to be decorated with simple shapes, wavy lines and black hands. It is thought that this time period was the Greeks' first expression of reviving their civilisation. With the invention of faster pottery wheels and other innovations it is believed that experimenting with pottery began. Notable examples of this era have a broad horizontal band about the neck and belly, concentric circles applied with a compass and multiple brushes. They are mainly of abstract elements.

Ancient Greece

Geometric Art dates from around 900 - 700 BC and was a dramatic transformation that led to the establishment of primary Greek institutions such as the Greek city - state (polis) and the Greek alphabet. Sculptures and carvings began to be made representing each city states' heroes and past legends including animals and humans. The growth of new trade routes and the opportunities for colonisation permitted Greek art to flourish. Large temples and sanctuaries were built in tribute to the Gods and were furnished with precious statues and art. The armed warrior, the chariot, and the horse are the most familiar symbols of the Geometric period. The only thing that was yet to emerge from this newly burgeoning Greek passion for the arts was the solid stone statue.

With the newly established trade routes in the Levant and the Nile Delta we begin to see an amalgamation of Greek and oriental art. This led to the Archaic age (ca. 700 - 450 BC) which showed a more naturalistic style reflecting significant influence from the Near East and Egypt. This is known as the Orientalising Phase (735 - 650 BC) and happened gradually. Many Greek artists began to assimilate ideas from their Eastern counterparts, starting to use palmette and lotus compositions, animal hunts and such composite beasts as griffins (part bird, part lion), sphinxes (part woman, part winged lion), and sirens (part woman, part bird). Competition between the Greek artists throughout the Greek mainland and colonies began to emerge to see who could produce the greatest and most innovative marvels. Sculptors in the Aegean islands, notably on Naxos and Samos, carved large-scale statues in marble. Goldsmiths on Rhodes specialized in fine jewellery, while bronze workers on Crete fashioned armour and plaques decorated with superb reliefs. The prominent artistic centres of mainland Greece, notably Sparta, Corinth, and Athens, also exhibited significant regional variation. Sparta and its neighbours in Laconia produced remarkable ivory carvings and distinctive bronzes. Corinthian artisans invented a style of silhouetted forms that focused on tapestry-like patterns of small animals and plant motifs. By contrast, the vase painters of Athens were more inclined to illustrate mythological scenes. Despite the differences in dialect - even the way the alphabet was written varied from region to region at this time - the Greek language was a major unifying factor in Greece as it is today with English speaking countries. Huge sanctuaries and temples were built and decorated with the finest motifs, as competition was fierce in the Greek world to surpass previous works of art. The Archaic age was best known for the emergence of stone statues of humans, such as the limestone kouros (male) and kore (female) statues. Statue of Kouros c.590 BC

These new statues showed young humans naked and always with a smile on their face. The main aim was to try and show perfection in human form, however, the majority of statues came across as rigid and unnatural. Despite these flaws it was the Greeks who first invented the free standing statues during this era. Athens, by 550 BC, had perfected the use of 'black figure pottery' which it subsequently successfully exported throughout the Greek world. Among the great painters of Attic black-figure vases, Sophilos, Kleitias, Nearchos, Lydos, Exekias, and the Amasis Painter experimented with a variety of techniques to overcome the limitations of black-figure painting with its emphasis on silhouette and incised detail. The consequent invention of the red-figure technique, which offered greater opportunities for drawing and eventually superseded black-figure, is conventionally dated about 530 B.C. and attributed to the workshop of the potter Andokides.

Ancient Greece

Classical Art (480 - 323 BC) was created during a "golden age", from the time Athens rose to prominence and Greek expansion, right up until the death of Alexander the Great. The Classical age could be seen as a turning point in art and produced some of the most exquisite sculptures known today. It was during this age that sculptors had mastered marble and began creating statues that showed joyous freedom of movement and expression, while celebrating mankind as an independent entity (atomo).

Discobolos, Ancient Greek Statue

The best example showing freedom of movement is the Discobolos (The Discus Thrower) by Myron in the Museo Nazionale Romano, Rome. This is one of the most famous classic Greek statues from this period. The Classical age also saw the first time human anatomy was deemed worthy of being portrayed in a statue and for ever immortalised in stone and bronze. Portraying people in a static and stiff position had now been replaced with the more modern 'snap-shot' three-dimensional movements, so that people could admire the human body for its aesthetic values. It was the first time that humans could be seen as almost God-Like, which meant that the human body became the subject of study for the first time. In ancient Greece, a long intellectual evolution had reached its logical conclusion during the classical era when 'man as a living organism on this planet acquired the importance it deserved and gods became human through marble and bronze'. With the rise of democracy and philosophy it changed the face of art literally. From the Classical period all the Greek statues from this time period showed a lack of expression, whereas, the depiction of 'barbarians' show a dramatic facial expression. This was because the Greeks believed that suppression of the emotions was a noble characteristic of all civilised men, while the public display of human emotion was a sign of barbarism. Logic and reason was to dominate human expression even during the most dramatic situations. Temples and sanctuaries cried out for more and more lavish and monumental statues bringing the legends and Gods to life, such as the famous motifs from the Parthenon (unfortunately only a few fragments remain). Statues at funerals also evolved from the rigid un-human like statues of the past to new modern pieces that showed more detail and more family orientated scenes, such as the Family group on a grave marker from Athens, National Archaeological Museum. Ancient GreeceThe greatest statues of this age were the Statue of Zeus at Olympia and the Statue of Athena at the Parthenon, both of which were designed by Phidias. Smaller copies of these statues still exist but the originals unfortunately were so awe-inspiring that they were stolen by the Byzantium Emperors from the Parthenon and later destroyed in what is thought to have been a fire. The sculptures of Greece more than any other art form are the pure expression of freedom, self-consciousness and self-determination. These were the values that motivated the inhabitants of Ancient Greece to defeat mighty Persia and led them to the development of a model of society that ensured the dignity of every man within it.

The Hellenistic Era (323 - 31 BC) began around the death of Alexander the Great and ended with the battle of Actium in 31 BC. The Hellenistic period saw dramatic changes compared to previous logic. The artists of the Hellenistic period did not stick to classical conventions and rules but turned to a more experimental movement and a sense of freedom that allowed the artist to explore his subjects from different unique points of view.

Charioteer of Delphi

The easiest way to explain this is to look at the 'Charioteer of Delphi' and the 'Boy Jockey' statues. The first statue is from the classical period and shows greatness and humility whereas the latter is from the Hellenistic era which shows a greater expression of power and energy. Artists were also able to take ideas from a much wider area as the Greek empire was at its peak, reaching even as far as India. This led to a number of new art styles emerging such as Greco-Bactrian, Indo-Greek and Greco-Buddhist. With the emergence of Rome it was now more acceptable to make sculptures of normal people and animals, with sculptors less obliged to make figures heroic and physically perfect. New Hellenistic cities started to spread in places like Egypt and Syria, all of which wanted statues depicting Greek Gods and Heroes to be placed in their temples. This led to more and more statues and items of pottery being mass-produced, resulting in a poorer quality of product. That said, vast improvements in techniques and materials allowed one of the largest and most magnificent creations in human endeavour, the 'Colossus of Rhodes' to be built. Unfortunately, the combined effects of looting and various earthquakes destroyed the statue, thought to have been as big as the Statue of Liberty. Some of the best known Hellenistic sculptures are Dying Gaul, the Venus de Milo, and the Winged Victory of Samothrace, all of which depict a classical hero but have a Hellenistic twist which shows a more sensuous and emotional taste.

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